Brett Manning – 2014 – Singing Success 360


The “Singing Success 360” voice training program was released in 2014.

2014-00-00
Artist: BRETT MANNING
Year: 2014
CD: Singing Success 360

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Singing Success 360 is a program divided into two (2) parts, Technique and Style, consisting of eight (8) Technique compact discs (CD) and eight (8) Style compact discs (CD).


TECHNIQUE
Technique Defined

TRACKS:
01: Introduction And Objectives
02: Vocal Registers
03: Additional Thoughts
04: Terminology Overview
05: Singing
06: Vocal Cords
07: Resonance
08: Vocal Register
09: Chest Voice
10: Head Voice
11: Falsetto
12: Vocal Fry
13: Whistle Register
14: Mixed Or Middle Voice
15: Whisper Register
16: Conclusion On Register
17: Break – Disconnect – Crack – Flip
18: Bridge – Passage Area
19: Connection
20: Larynx – Voice Box
21: Adam’s Apple
22: Vibrato
23: Staccato
24: Glottal Stroke
25: Legato
26: Delineation – Marcato
27: Crescendo And Diminuendo
28: How This Technique Works


TECHNIQUE 1
Discovering Your Voice

TRACKS:
01: How To Use This Program
02: Technique 1 – Objectives
03: Exercise 1 – Humming – 5-Tone Scale
04: Exercise 1 – Male
05: Exercise 1 – Female
06: Exercise 2 – Lip Rolls – 5-Tone Scale
07: Exercise 2 – Male
08: Exercise 2 – Female
09: Exercise 3 – Lip Rolls – Octave Arpeggio
10: Exercise 3 – Male
11: Exercise 3 – Female
12: Exercise 4 – Tongue Trill – 9-Note Scale
13: Exercise 4 – Male
14: Exercise 4 – Female
15: Exercise 5 – Goo Goo Goo – Long Scale
16: Exercise 5 – Male
17: Exercise 5 – Female
18: Exercise 6 – “Nay, Nay, Nay” – Octave Arpeggio
19: Exercise 6 – Male
20: Exercise 6 – Female
21: Exercise 7 – Warm-Down – Descending Slide
22: Conclusion


TECHNIQUE 2
Discovering High Notes

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Humming 5-Tone Minor Scale
03: Exercise 1 – Male
04: Exercise 1 – Female
05: Exercise 2 – Lip Roll – Octave Arpeggio
06: Exercise 2 – Male
07: Exercise 2 – Female
08: Exercise 3 – Closed Mouth “B” Sound
09: Exercise 3 – Male
10: Exercise 3 – Female
11: Exercise 4 – Lip Rolls – 1.5 Octave Scale
12: Exercise 4 – Male
13: Exercise 4 – Female
14: Exercise 5 – 5 Trumpet Head Scale
15: Exercise 5 – Male
16: Exercise 5 – Female
17: Intermission
18: Exercise 6 – “Nay, Nay, Nay” – Long Scale
19: Exercise 6 – Male
20: Exercise 6 – Female
21: Exercise 7 – Mum Mum Mum Scale
22: Exercise 7 – Male
23: Exercise 7 – Female
24: Exercise 8 – Warm-Down
25: Exercise 8 – Conclusion


TECHNIQUE 3
Discovering Vocal Power

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Hum Into Vocal Fry – Descending Scale
03: Exercise 1 – Male
04: Exercise 1 – Female
05: Exercise 2 – Low Voice – “Oh, Yeah”
06: Exercise 3 – “Oh” Vocal Fry To Chest Scale
07: Exercise 3 – Male
08: Exercise 3 – Female
09: Exercise 4 – Lip Rolls – Slow Tempo – Rossini Scale
10: Exercise 4 – Male
11: Exercise 4 – Female
12: Exercise 5 – “No, No, No” – Rossini Scale
13: Exercise 5 – Male
14: Exercise 5 – Female
15: Exercise 6 – “Gug, Gug, Gug” – Octave Scale
16: Exercise 6 – Male
17: Exercise 6 – Female
18: Exercise 7 – “Bub, Bub, Bub” Scale
19: Exercise 7 – Male
20: Exercise 7 – Female
21: Exercise 8 – Warm-Down
22: Exercise 8 – Male
23: Exercise 8 – Female
24: Conclusion


TECHNIQUE 4
Discovering The Light Voice

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Relaxed Descending “Wee”
03: Exercise 2 – Pulling Head Voice Down
04: Exercise 2 – Male
05: Exercise 2 – Female
06: Exercise 3 – Lip Rolls On A Mixed Octave Scale
07: Exercise 3 – Male
08: Exercise 3 – Female
09: Exercise 4 – “Wee Wee Wee” Head Rossini Scale
10: Exercise 4 – Male
11: Exercise 4 – Female
12: Exercise 5 – Light Mix “Ng” Sound Octave Slides
13: Exercise 5 – Male
14: Exercise 5 – Female
15: Exercise 6 – “Goo Nu” Descending Rossini Scale
16: Exercise 6 – Male
17: Exercise 6 – Female
18: Exercise 7 – “Mum Mum Mum” Descending Scale
19: Exercise 7 – Male
20: Exercise 7 – Female
21: Warm-Down And Conclusion


TECHNIQUE 5
Discovering Vocal Freedom

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Vocal Fry “Ng” 9-Note Scale
03: Exercise 1 – Male
04: Exercise 1 – Female
05: Exercise 2 – Lip Roll Trumpet Rossini Scale
06: Exercise 2 – Male
07: Exercise 2 – Female
08: Exercise 3 – “Nu Nuuh” Octave Scale
09: Exercise 3 – Male
10: Exercise 3 – Female
11: Exercise 4 – Staccato Waltz Edge Rossini Scale
12: Exercise 4 – Male
13: Exercise 4 – Female
14: Exercise 5 – Staccato Then Legato Waltz Edge Rossini Double Scale
15: Exercise 5 – Male
16: Exercise 5 – Female
17: Exercise 6 – “Mmm Muh” Octave Scale
18: Exercise 6 – Male
19: Exercise 6 – Female
20: Exercise 7 – “Aah” With Tongue Out Scale
21: Exercise 7 – Male
22: Exercise 7 – Female
23: Exercise 8 – Warm-Down Hum
24: Conclusion


TECHNIQUE 6
Discovering Melody

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Lip Rolls National Anthem
03: Exercise 1 – Male
04: Exercise 1 – Female
05: Exercise 2 – Melodic Scale “Oo” And “Ee” In Head Voice
06: Exercise 2 – Male
07: Exercise 2 – Female
08: Exercise 3 – “Nuh Buh” Double Rossini Scale
09: Exercise 3 – Male
10: Exercise 3 – Female
11: Exercise 4 – My Girl
12: Exercise 4 – Male
13: Exercise 4 – Female
14: Exercise 5 – We Will Rock You
15: Exercise 5 – Male
16: Exercise 5 – Female
17: Exercise 6 – I Am Not Alone
18: Exercise 6 – Male
19: Exercise 6 – Female
20: Exercise 7 – Melodic Warm-Down
21: Conclusion


TECHNIQUE 7
Discovering Mastery

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Lip Rolls Or Tongue Trills Rossini Scale
03: Exercise 2 – Lip Rolls Or Tongue Trills On A Mixed Octave Scale
04: Exercise 3 – Lip Rolls Or Tongue Trills On A 3-Octave Scale
05: Exercise 4 – Lip Rolls Or Tongue Trills On A Double Mixed Octave Scale
06: Exercise 4 – Male
07: Exercise 4 – Female
08: Exercise 5 – Sustained “Oo” To “Uuh” Arpeggio
09: Exercise 6 – Sustained “Ee” To “Ih” Arpeggio
10: Exercise 7 – Sustained “Oo” To “Oh” Arpeggio
11: Exercise 8 – Sustained “Ee” To “Ay” Arpeggio
12: Exercise 8 – Male | Female
13: Exercise 8 – Male
14: Exercise 8 – Female
15: Exercise 9 – Opening Of Vowel Patterns From Narrow To Broad
16: Exercise 9 – Male
17: Exercise 9 – Female
18: Congratulations


STYLE
Style Defined

TRACKS:
01: Introduction And Definition Of Style
02: Trills, Licks, And Runs
03: Pronunciation
04: Attitude Or Vibe
05: Scoops Or Slides
06: Note Bend Or Note Bounce
07: Vowel Bend
08: Falsetto
09: Classical Genre
10: Classical Genre – Male Demo
11: Classical Genre – Female Demo
12: Musical Theater Genre
13: Musical Theater – Male Demo
14: Musical Theater – Female Demo
15: Folk Genre
16: Folk Genre – Male Demo
17: Folk Genre – Female Demo
18: Pop Genre
19: Pop Genre – Male Demo
20: Pop Genre – Female Demo
21: Country Genre
22: Country Genre – Male Demo
23: Country Genre – Female Demo
24: Blues Genre
25: Blues Genre – Male Demo
26: Blues Genre – Female Demo
27: Jazz Genre
28: Jazz Genre – Male Demo
29: Jazz Genre – Female Demo
30: Gospel Genre
31: Gospel Genre – Male Demo
32: Gospel Genre – Female Demo
33: Rhythm And Blues Genre
34: Rhythm And Blues Genre – Male Demo
35: Rhythm And Blues Genre – Female Demo
36: Rock Genre
37: Rock Genre – Male Demo
38: Rock Genre – Female Demo
39: Conclusion


STYLE 1
Discovering Basic Licks, Trills, And Runs

TRACKS:
01: Introduction And Objectives
02: Note Delineation Up A Whole Step
03: Note Delineation Up A Whole Step – Male
04: Note Delineation Up A Whole Step – Female
05: Note Delineation Down A Whole Step
06: Note Delineation Down A Whole Step – Male
07: Note Delineation Down A Whole Step – Female
08: Note Delineation Up A Half Step
09: Note Delineation Up A Half Step – Male
10: Note Delineation Up A Half Step – Female
11: Note Delineation Down A Half Step
12: Note Delineation Down A Half Step – Male
13: Note Delineation Down A Half Step – Female
14: Same Note (Unison) Delineation
15: Same Note (Unison) Delineation – Male
16: Same Note (Unison) Delineation – Female
17: Downward Triplet Trill On “Ooh Oh Ah”
18: Downward Triplet Trill On “Ooh Oh Ah” – Male
19: Downward Triplet Trill On “Ooh Oh Ah” – Female
20: Upward Triplet Trill On “Ooh Oh Ah”
21: Downward Triplet Trill On “Ooh Oh Ah” – Male
22: Downward Triplet Trill On “Ooh Oh Ah” – Female
23: Descending Triplets Slow-To-Fast Tempo
24: Descending Triplets Slow-To-Fast Tempo – Male
25: Descending Triplets Slow-To-Fast Tempo – Female
26: Ascending Triplets Slow-To-Fast Tempo
27: Ascending Triplets Slow-To-Fast Tempo – Male
28: Ascending Triplets Slow-To-Fast Tempo – Female
29: “Oh” To “Oo” Bagpipe Groove Triplets
30: “Oh” To “Oo” Bagpipe Groove Triplets – Male
31: “Oh” To “Oo” Bagpipe Groove Triplets – Female
32: Conclusion


STYLE 2
Discovering Advanced Licks, Trills, And Runs

TRACKS:
01: Introduction And Objectives
02: Warm-Up With Trills
03: Warm-Up With Trills – Male
04: Warm-Up With Trills – Female
05: Major Pentatonic Pattern
06: Major Pentatonic Pattern – Male
07: Major Pentatonic Pattern – Female
08: Minor Pentatonic Pattern
09: Minor Pentatonic Pattern – Male
10: Minor Pentatonic Pattern – Female
11: Minor Pentatonic Pattern Over Major Chords
12: Minor Pentatonic Pattern Over Major Chords – Male
13: Minor Pentatonic Pattern Over Major Chords – Female
14: Harmonic Minor Run
15: Harmonic Minor Run – Male
16: Harmonic Minor Run – Female
17: Note Bend Up And Triplet Down, Then Note Bend Down And Triplet Up
18: Note Bend Up And Triplet Down, Then Note Bend Down And Triplet Up – Male
19: Note Bend Up And Triplet Down, Then Note Bend Down And Triplet Up – Female
20: Upward Pentatonic, Then Descending Chromatic Scale
21: Upward Pentatonic, Then Descending Chromatic Scale – Male
22: Upward Pentatonic, Then Descending Chromatic Scale – Male, Faster
23: Upward Pentatonic, Then Descending Chromatic Scale – Female
24: Upward Pentatonic, Then Descending Chromatic Scale – Female, Faster
25: Conclusion


STYLE 3
Discovering Your Sound

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Vocal Texture From Breathy To Edgy
03: Exercise 1 – Male Demo
04: Exercise 1 – Female Demo
05: Exercise 1 – “Buh” And “Vuh” Variation
06: Exercise 1 – Male Demo
07: Exercise 1 – Female Demo
08: Exercise 1 – Instruction For Your Turn
09: Exercise 1 – Male
10: Exercise 1 – Female
11: Exercise 2 – Tonal Diversity, Nasal To De-Nasal
12: Exercise 2 – Male Demo
13: Exercise 2 – Female Demo
14: Exercise 2 – “Buh” And “Nuh” Demo Explanation
15: Exercise 2 – Male Demo
16: Exercise 2 – Female Demo
17: Exercise 2 – Instruction For Your Turn
18: Exercise 2 – Male
19: Exercise 2 – Female
20: Exercise 3 – Low Larynx Versus High Larynx
21: Exercise 3 – Male Demo
22: Exercise 3 – Female Demo
23: Exercise 3 – Instruction For Your Turn
24: Exercise 3 – Male
25: Exercise 3 – Female
26: Exercise 4 – Relaxed Falsetto
27: Exercise 5 – Nasal Falsetto
28: Exercise 6 – Clear Falsetto
29: Exercise 7 – Phrasing With Or Without Vibrato
30: Exercise 7 – Excessive Vibrato Explanation
31: Exercise 7 – Male Demo
32: Exercise 7 – Female Demo
33: Exercise 7 – No Vibrato Explanation
34: Exercise 7 – Male Demo
35: Exercise 7 – Female Demo
36: Exercise 7 – Tasteful Vibrato, Male Demo
37: Exercise 7 – Tasteful Vibrato, Female Demo
38: Exercise 7 – Instruction For Your Turn
39: Exercise 7 – Male
40: Exercise 7 – Female
41: Exercise 8 – Tasteful Use Of Vibrato On Album Version Of “Next To You”
42: Exercise 9 – Application To Different Styles
43: Exercise 9 – Pop Demo
44: Exercise 9 – Jazz Demo
45: Exercise 9 – Rock Demo
46: Exercise 9 – Pop, Your Turn
47: Exercise 9 – Jazz, Your Turn
48: Exercise 9 – Rock, Your Turn
49: Conclusion


STYLE 4
Discovering Stylistic Subtleties

TRACKS:
01: Introduction And Objectives
02: Exercise 1 – Licks, Trills, And Runs
03: Exercise 1 – Male And Female Demos
04: Exercise 1 – Key Of G Major
05: Exercise 1 – Key Of D Major
06: Exercise 2 – Using Vocal Fry, Glottal Strokes, And Flips Into Falsetto
07: Exercise 2 – Demo
08: Exercise 2 – Male | Female
09: Exercise 3 – Phrasing
10: Exercise 3 – Male | Female – Spoken Lyric Demos
11: Exercise 3 – What To Listen For In The Phrasing Demos
12: Exercise 3 – Phrasing Demo 1
13: Exercise 3 – Phrasing Demo 2
14: Exercise 3 – Phrasing Demo 3
15: Exercise 3 – Phrasing Track 1 For Your Turn
16: Exercise 3 – Phrasing Track 2 For Your Turn
17: Exercise 3 – Phrasing Track 3 For Your Turn
18: Exercise 4 – Articulation Tour
19: Exercise 5 – Applying Articulation
20: Exercise 5 – Male Demo, Spoken Lyric 1
21: Exercise 5 – Male Demo, Sung Lyric 1
22: Exercise 5 – Female Demo, Spoken Lyric 1
23: Exercise 5 – Female Demo, Sung Lyric 1
24: Exercise 5 – Male Demo, Spoken Lyric 2
25: Exercise 5 – Male Demo, Sung Lyric 2
26: Exercise 5 – Female Demo, Spoken Lyric 2
27: Exercise 5 – Female Demo, Sung Lyric 2
28: Exercise 5 – Key Of E Major
29: Exercise 5 – Key Of C Major
30: Exercise 5 – Original Demo
31: Conclusion


STYLE 5
Discovering Musical Genres

TRACKS:
01: Introduction And Objectives
02: Classical – Male Demo
03: Classical – Male
04: Classical – Female Demo
05: Classical – Female
06: Classical – Your Turn
07: Musical Theatre – Male Demo
08: Musical Theatre – Male
09: Musical Theatre – Female Demo
10: Musical Theatre – Female
11: Musical Theatre – Male, Your Turn
12: Musical Theatre – Female, Your Turn
13: Folk – Male Demo
14: Folk – Male
15: Folk – Female Demo
16: Folk – Female
17: Folk – Your Turn
18: Blues – Male Demo
19: Blues – Male
20: Blues – Female Demo
21: Blues – Female
22: Blues – Your Turn
23: Gospel – Male Demo
24: Gospel – Male
25: Gospel – Female Demo
26: Gospel – Female
27: Gospel – Male, Your Turn
28: Gospel – Female, Your Turn
29: Jazz – Male Demo
30: Jazz – Male
31: Jazz – Female Demo
32: Jazz – Female
33: Jazz – Male, Your Turn
34: Jazz – Female, Your turn
35: Rhythm And Blues – Male Demo
36: Rhythm And Blues – Male
37: Rhythm And Blues – Female Demo
38: Rhythm And Blues – Female
39: Rhythm And Blues – Male, Your turn
40: Rhythm And Blues – Female, Your Turn
41: Country – Male Demo
42: Country – Male
43: Country – Female Demo
44: Country – Female
45: Country – Male, Your Turn
46: Country – Female, Your Turn
47: Rock – Male Demo
48: Rock – Male
49: Rock – Female Demo
50: Rock – Female
51: Rock – Your Turn
52: Pop – Male Demo
53: Pop – Male
54: Pop – Female Demo
55: Pop – Female
56: Pop – Male, Your Turn
57: Pop – Female, Your Turn
58: Conclusion


STYLE 6
Discovering Improvisation

TRACKS:
01: Introduction And Objectives
02: Introduction To Left-Right Brain
03: Left-Right Brain Exercise
04: Introduction To Chord Progression
05: Y2K Pop – Demo 1
06: Y2K Pop – Demo 2
07: Y2K Pop – Demo 3
08: Y2K Pop – Your Turn
09: Pop Country – Demo 1
10: Pop Country – Demo 2
11: Pop Country – Demo 3
12: Pop Country – Your Turn
13: Old Soul – Demo 1
14: Old Soul – Demo 2
15: Old Soul – Demo 3
16: Old Soul – Your Turn
17: 50s Pop – Demo 1
18: 50s Pop – Demo 2
19: 50s Pop – Demo 3
20: 50s Pop – Your Turn
21: Traditional Country – Demo 1
22: Traditional Country – Demo 2
23: Traditional Country – Demo 3
24: Traditional Country – Your Turn
25: Conclusion


STYLE 7
Discovering The X-Factor

TRACKS:
01: Introduction And Objectives
02: Audio Master Class – Introduction And Warm-Up
03: Male Pop Singer
04: Female Rock Singer
05: Male Country Singer
06: Female Country Singer
07: Conclusion


Where do we go from here?
Back to Singing Success.
Go to Brett Manning.